Sunday, August 22, 2010

Importer Mon Vespa Aux Vietnam






At this expectation to see you ..! So I'm
.
Looking at the time ...
- and the time to look at me;
pass Waiting ...
- that quick pass,
for my love I can kiss. What
come soon, that such a day;
- so I can hold you. What
cherish your hug
my desire to see you.
That your smell remains in my body
. What
your smile ...
- your smile!
- your smile:
purest
to see you remain in my mind;
- for I have only your memory when I
is far from you.
- and indeed act as while this
such day is not enough ...
- I here is far from thee, trying to lessen the homesick

with misspelled words.

Wednesday, January 13, 2010

Vegetable Supplements

Spain

Here is the subject of my next job analysis for a final course of Audiovisual Narrative at the University. Soon I will upload a review of work (once qualified will not be copied to me xDD).

In advance, I must say that, as has happened to me many times in this course, analyzing film clips or entire movies, I'm realizing more and more audiovisual narrative that is a vast field in which they take place thousands of "parameters", brands, messages ... that most often go unnoticed (at least for a common viewer) and build or complete the meaning of any part will we realize that they're there, let alone why.

The truth is that it is a science worth learning, to enjoy much more than the visual world offers us.

The piece itself is the music video Sloth, Ayo .


Send :

Ayo
weeks torn apart
sky and sweat
bit of rock 'nd roll

You were a slut
but you were my lofe
the best
he had seen today

legs opened
fire in my veins
is a star
you came to do here?

not follow your speed
I am always behind

Ayo
uppers and farewell champagne
was yanked
was not seen today

Cerro
legs
sirens sound
was a star
already out of here

I'm not your speed
I am always behind
Sometimes I'll see if these
always gives me out there

He pressed the detonator
fly high
are placed in my room
my summer love

I'm pretty regular
I sleep on the porch